THE TOWERING INFERNO
The Towering Inferno is a 1974 American disaster film directed by John Guillermin and produced by Irwin Allen,[5] featuring an ensemble cast led by Paul Newman and Steve McQueen.[6][7][8][9] It was adapted by Stirling Silliphant from the novels The Tower by Richard Martin Stern and The Glass Inferno by Thomas N. Scortia and Frank M. Robinson.[5][10][11][12][13] In addition to McQueen and Newman, the cast includes William Holden, Faye Dunaway, Fred Astaire, Susan Blakely, Richard Chamberlain, O. J. Simpson, Robert Vaughn, Robert Wagner, Susan Flannery, Gregory Sierra, Dabney Coleman and Jennifer Jones in her final role.[5][10]
The Towering Inferno was released theatrically December 16, 1974. The film received generally positive reviews from critics, and earned around $203.3 million, making it the highest-grossing film of 1974. It was nominated for eight Academy Awards, including Best Picture, winning three: Best Song, Best Cinematography and Best Editing.
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EARTHQUAKE
Earthquake is a 1974 American ensemble disaster drama film directed and produced by Mark Robson[2] and starring Charlton Heston and Ava Gardner. The plot concerns the struggle for survival after a catastrophic earthquake destroys most of Los Angeles.
Directed by Robson with a screenplay by George Fox and Mario Puzo, the film starred a large cast of well-known actors, including Heston, Gardner, George Kennedy, Lorne Greene, Geneviève Bujold, Richard Roundtree, Marjoe Gortner, Barry Sullivan, Lloyd Nolan, Victoria Principal, and (under an alias) Walter Matthau. It is notable for the use of an innovative sound effect called Sensurround, which created the sense of actually experiencing an earthquake in theaters.
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THE POSEIDON ADVENTURE
The Poseidon Adventure is a 1972 American disaster film directed by Ronald Neame, produced by Irwin Allen, and based on Paul Gallico‘s 1969 novel of the same name. It has an ensemble cast including five Oscar winners: Gene Hackman, Ernest Borgnine, Jack Albertson, Shelley Winters, and Red Buttons. The plot centers on the fictional SS Poseidon, an aging luxury liner on its final voyage from New York City to Athens, before it is scrapped. On New Year’s Day, it is overturned by a tsunami. Passengers and crew are trapped inside, and a preacher attempts to lead a small group of survivors to safety.
The film is in the vein of other all-star disaster films of the early through mid-1970s, such as Airport (1970), Earthquake (1974), and The Towering Inferno (1974). It was released in December 1972 and was the highest-grossing film of 1973, earning over $125 million worldwide. It was nominated for eight Academy Awards, and went on to win two Oscars,[3] a Golden Globe Award, a British Academy Film Award, and a Motion Picture Sound Editors Award.[4] A sequel, Beyond the Poseidon Adventure, also based on a novel by Gallico, was released in 1979.
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AIRPORT
Airport is a 1970 American air disaster–drama film written and directed by George Seaton and starring Burt Lancaster and Dean Martin.[3] Based on Arthur Hailey‘s 1968 novel, it originated the 1970s disaster film genre.[4] It is also the first of four films in the Airport film series. Produced on a $10 million budget, it earned over $128 million. The supporting cast features Jean Seberg, Jacqueline Bisset, George Kennedy, Helen Hayes, Van Heflin, Maureen Stapleton, Barry Nelson, Lloyd Nolan, Dana Wynter and Barbara Hale.
The film is about an airport manager trying to keep his airport open during a snowstorm, while a suicide bomber plots to blow up a Boeing 707 airliner in flight. It takes place at fictional Lincoln International Airport near Chicago. The film was a commercial success and surpassed Spartacus as Universal Pictures‘ biggest moneymaker.[5] The movie won Helen Hayes an Academy Award for Best Supporting Actress for her role as an elderly stowaway and was nominated for nine other Academy Awards, including Best Picture, Best Cinematography for Ernest Laszlo, and Best Costume Design for designer Edith Head.
With attention paid to the detail of day-to-day airport and airline operations, the plot concerns the response to a paralyzing snowstorm, environmental concerns over noise pollution, and an attempt to blow up an airliner. The film is characterized by personal stories intertwining while decisions are made minute-by-minute by the airport and airline staffs, operations and maintenance crews, flight crews, and Federal Aviation Administration air traffic controllers.
Ernest Laszlo photographed it in 70 mm Todd-AO. It is the last film scored by Alfred Newman and the last film roles of Van Heflin and Jessie Royce Landis. It was also Ross Hunter’s last film produced for Universal after a 17-year tenure.